10.15.2007
Oh, it was brought'n
10.09.2007
Chili Cook Off This Saturday
Impact claims they are going to "to put the splatdown on those other companies" while the Playwright's Foundation promises to "kick some butt." As for us, well, I think our name alone gives us a bit of an advantage, don't you?
Fools Fury challenges you all to "get your eat on." So, do come on out this Saturday afternoon...there will be tons of chili (waaaaay more than we can pass off to starving actors at the Z), raffles, prizes, and live music. It's sure to be a good time and it benefits all participating organizations.
You'll also be able to rub elbows with our 'celebrity judges:'
Karen D'Souza (her plug here)
Chad Jones (his plug here)
Chloe Veltman (awaiting Chloe's plug here ;-)
8.23.2007
For those that missed it
8.20.2007
Tune in tomorrow
8.13.2007
Hot of the Press
the workshop reading on Saturday, August 18 at 3 pm at Intersection for the Arts. Hope to see you there.
7.29.2007
The skinny
Come make the fire crowded as we gather around some great new voices in the American Theater.
Liz Duffy Adams of One Big Lie fame returns with her newest offering, The Listener, directed by Fireside Chat superstar, Kent Nicholson.
Ms. Rebecca Novick continues her relationship with 'maid author, Erik Ehn, by workshopping a brand new piece so hot, it doesn't even need a title (yet).
And where is it hotter than Florida? Local Legend, Octavio Solis, will be directing a mournful love story set in Key Biscayne by Stephanie Fleischmann.
And lastly, help us welcome a young fresh face, Lizz Edele, who's fierce new play, About the Dogs, will have it's full draft reading debut with the help of Jessica Heidt's direction.
But perhaps the hottest tidbit is the fact that many of Crowded Fire's talented ensemble will cause the stage to sizzle in this series. Don't miss all your favorites, Juliet Tanner, Jason Wong, Paul Lancour, Cassie Beck, Erin Gilley, Michele Leavy, and Lawrence Radecker, plus many special guest appearances by other local thespians.
Show your face at the Bonfire at Ocean Beach on Saturday night, and we'll stuff a S'more in it!
We really like our name. And Vacant Fire Theater Company doesn't have the same ring.
Come out so we can stay Crowded!
A vow to be better...
7.02.2007
Support the Artists!
Ashby Stage
1901 Ashby St., Berkeley
All proceeds support the artists who bring ANNA BELLA EEMA to life every Thurs -Sunday!
And if you haven't figured it out already, we're running in Berkeley now, July 5-15th. Come on out and see us!
In case you missed it...
In case you missed it, you can now catch video of the interview here.
fireside chats
This production is a great example of the kind of theater that is at the heart of Crowded Fire. We love that everyone is walking away from the show with a slightly different take on it. We love that people are so stimulated by the show, that they are eager to deconstruct the text, often debating one another and asking more and more questions.
And folks are continuing the conversation when they go home. We've got people yelping about it, emailing us directly, and linking to their blogs. Don't get me wrong, we've basked in the critical praise that ANNA BELLA EEMA has received thus far, but hearing from you directly has been the real pleasure. This is what theatre is all about to us.
We call our talk backs "fireside chats." How appropriate, then, to hear John S. in his review say "theater and religious ritual both started in the same place - as stories told around a campfire somewhere. Now we think of them as being two different experiences, but in plays like Anna Bella Eema it is possible to return to the primal campfire and experience them together again."
6.21.2007
Theatre? What's that?
Monday, June 18, 2007 (SF Chronicle)STANFORD/NEA chairman blasts American culture in commencement talk/Speaker tellsgrads to reject passive consumerismJulian Guthrie, Chronicle Staff Writer The leader of the National Endowment for the Arts decried culture asbankrupt and called for the elevation of artists and intellectuals insociety at Stanford University's commencement address on Sunday. Dana Gioia, a businessman-turned-accomplished poet who now heads the NEA,acknowledged that he was a controversial choice as speaker. "A few students were especially concerned that I lacked celebrity," hesaid from the field of Stanford Stadium, where an estimated 25,000graduating students, faculty members and family members had gathered forthe university's 116th commencement ceremony. "It seemed I wasn't famous enough," added Gioia, the first poet and thefirst Californian selected to head the federal arts agency. "And that isthe subject I want to address, the fact that we live in a culture thatbarely acknowledges and rarely celebrates the arts and artists." On the field, students dressed in caps and gowns -- accessorized witheverything from animal masks and wigs to blow-up dolls and bumblebee wings-- fanned themselves against the heat and waved "Thanks Mom and Dad"signs. Many talked on cell phones to family members in the stands, tookphotos of one another on camera phones, or sent text messages. "Everything now is entertainment," said Gioia (pronounced Joy-a), who isin his second term as head of the $133 million federal endowment, whichfunds art institutions across the country. "American culture has mostlybecome one vast infomercial." Gioia, the first in his family to attend college, earned a bachelor'sdegree and an MBA from Stanford and a master's from Harvard. He worked for15 years at General Foods before dropping out of corporate life to write. He said his exposure to artists, musicians and writers began early --through radio and television. He listened to classical musicians likeJascha Heifetz and Arthur Rubinstein, and jazz greats Duke Ellington andLouis Armstrong. "All of these people were famous to the average American -- because theculture considered them important." Today, he said, culture is about NBA players and "American Idol"finalists. "When virtually all of culture's celebrated figures are in sports orentertainment, how few possible role models we offer the young," Gioiasaid. "Why do these issues matter to you? This is the culture you are about toenter. You now face the choice of whether you want to be a passiveconsumer or an active citizen. Do you want to watch the world on a screenor live in it so meaningfully that you change it?" For members of the graduating class, Gioia's speech was valid -- to anextent. Many students talked of a different type of creativity atStanford, a campus that has long been a breeding ground for research andstartups such as Yahoo. Katherine Brainard will work as a software engineer and intern atMicrosoft this summer. "I think there are much bigger problems in education than a lack of thearts," she said. "I don't think that broader culture has ever been 'highculture' anyway. But if you can't read at a second-grade level and you'regraduating from high school, that is the problem." David Ollison, graduating with a degree in economics, plans to go on tolaw school. He said he is decidedly a "left-brain guy." While trying tokeep a female blow-up doll named Francesca perched on his shoulders, hesaid that his primary interest is making money. Besides, he laughed, "I'm a pop-culture whore." A group of guys dressed in various animal outfits debated the issue ofwhether culture is bankrupt. "You choose your own path in life," mused Zach Henick. "If you want to gointo arts, go into arts. I'm pursuing economics." His friend Jay Rubenstein, wearing camel ears, paused to proclaim,"Society sleeps in a bed of pigs." He added that the quote is his own. "I think culture has to be what you make of it," he said. "For me, myculture is sports." He plans to work in energy trading and has a job linedup at Morgan Stanley. Staci King, who wants to become a doctor, said she always had arts classesin her public schools in Chicago. She plays the jazz guitar and listens togospel and R&B. She said she had dreamed of attending Stanford since shewas in kindergarten. "I still play and will always play the guitar as a pastime," she said,smiling. "But I didn't want to be a starving artist."Online resources www.nea.gov E-mail Julian Guthrie at jguthrie@sfchronicle.com.----------------------------------------------------------------------Copyright 2007 SF Chronicle
6.14.2007
Coming soon to a theater near you...
Well... it seems we're not alone. Not that we thought we would be. Here's a link which describe's The National Theater's (London) new Youtube page... which can be found here.
Now all of this is a terrific idea... except Crowded Fire isn't technically allowed to show video with actors from actor's equity in them. We managed to get around this for our current show , but if things don't change for us, we won't be able to use clips from our shows to help our shows. On other equity contracts, theaters are allowed... either that, or they are simply doing it anyway. But because we are on a waiver, they are loathe to make an exception for us.
That's actually the part that bothers me. We are expected to grow into an equity contract without the benefit of an accesible and (relatively) cheap marketing tool. Other, larger, wealthier, companies have access to this same tool... and the money to access other forms of advertisement, but we are hamstrung. Which, of course, makes it harder for us to grow. Catch 22.
Hopefully we can get this resolved. If for no other reason than we would also like to do some multi-media work. I'd hate to have to shut equity actors out of a production in which we use video as an integral part of the plot.
But mostly, I want to be able to share our work with as many potential ticket buyers as possible. And to sell as many tickets as possible. So we can pay as much as possible. To everyone.
6.11.2007
We can't leave our chairs, but the little guy can
"American trailer-park gothic meets classic horror story gothic and “Call of the Wild” elements in Lisa D’Amour’s electrifyingly musical, invigoratingly literary, smartly comic and unexpectedly deeply moving mother-daughter coming-of-age story about a 10-year-old and the golem she creates from mud in a derelict trailer park. Expertly staged by Rebecca Novick and performed with mesmerizing skill, the 90-minute Crowded Fire West Coast premiere is a stunning act of theatrical alchemy."--R. Hurwitt
www.crowdedfire.org
Tongue Waggin'
"Thanks to all at Crowded Fire for a really wonderful night in the theatre.We talked about it all the way home. It is the kind of evening only the theatre can give you. I give it a definite thumbs up. It certainly is not your same old -same old. A very fresh voice and three really strong performances-- what more do you want from a Friday night in June?"
Thanks to all who made it out for our opening weekend! We run until July 1st at TJT and (drum roll) we just EXTENDED! We will have a 2 week run at Berkeley's Ashby Stage, July 5-15th.
www.crowdedfire.org
6.09.2007
A sound is worth a thousand words
I'm comforted though. Here's why:
The thing I've noticed about acting in this piece, is the listening. Everybody always says listening is the key to great acting. However, the 3 actors literally have to just listen to one another, because we are in our set chairs the whole time and unable to see each other. We have no visual cues. We can only listen and respond. The entire play really is like a piece of music. Even in the performance of it.
I always love the end, when I get to lay my eyes on Danielle and Julie backstage. They have become my supportive cast mates that I only hear for the 100 minutes we're together on stage. We have only our voices and our prop sounds to support one another. It's the only way we can communicate our presence and our love for each other. It is the only way to say, "I'm here for you. I've got you. It's all of us in this together!"
Who knew a sound is worth a thousand words?
5.30.2007
drop another dime in the jukebox
Appearantly, many other people thought so too. The fun, improvisational hijinks of Prince's stories paired with the ever-so-cute Brandon's songs... along with a good game of BINGO (and who doesn't love BINGO) created one of the more fun and differant evenings of theater I've been a proud papa too.
Well, guess what? THEY'RE BACK!!!! That's right... if you missed 'em the first time, check em out this time. Seems that one of their shows is already sold out... but catch the other if you can. Info is here.
And tell 'em The Monkey sent ya.
5.29.2007
A good article in the Chronicle
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/05/28/DDG5KQ20H81.DTL&feed=rss.entertainment
And here's part two. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/05/29/DDG81Q1THL1.DTL
But I'm not in that one.
5.19.2007
Playwright Lisa D'Amour comes to town
Do you know Lisa's work? If you like rich language, intricate storytelling, and innovative structure then she's a playwright fit for you. Now's your chance to meet her and view a piece of her work FOR FREE!
Lisa's work has never been produced in San Francisco and has rarely been produced on the West Coast, but people across the country are talking about her unique voice and style. We're excited for this opportunity to introduce her to the Bay Area Theater Community.
So come on out to the Magic (Northside Theatre) this Thursday, May 24th. We'll kick things off with cocktails at 7:00 pm followed by a sneak peak of Anna Bella Eema at 7:30 pm. We'll round of the evening with a little chatty chat between Lisa, Kent, and you!
It's sure to be a fun night - come check it out!
RSVP to Cassie by May 23rd
5.18.2007
We love new playwrights
And we love our new co-artistic director who just happens to be directing an upcoming reading for IN THE ROUGH: the Playwright Foundation's first glimpse reading series of works by stellar emerging playwrights.
So check out :
By Peter Nachtrieb
Winner of the 2006 GLICKMAN AWARD and the NATIONAL THEATER CRITICS AWARD
Directed by Kent Nicholson
5.16.2007
Pain in my...
In my last blog I explained how freeing restrictions can be in acting work. I enthusiastically described the odd joy of rehearsing a play in which we aren't permitted to leave our seats. I still fundamentally agree with my earlier assessment. However...
I now have a wooden plank embedded in my fleshy bum thanks to a fore mentioned chair. It's a real pain in my @&*!
I was lightly tapping on a drinking glass with a spatula for percussive effect during a run thru of the first scene when it suddenly shattered. A shard hit my bare foot, and I bled. But, I'm tough. No biggie.
About 5 minutes later, I shifted quickly in my seat to swing my legs to the side of my beloved chair, and I leaped up screaming "OW!" as a hefty sized piece of wood penetrated through my skirt and into my, well, you know. How many times do I have to say it? I had to lay on the floor, and let Julie take a look ...completely embarrassing.
As of this morning, there is still a little piece of the set wedged so far up under the skin, my fiance couldn't get to it with tweezers and a warm wash cloth. We tried. No luck.
I have to soak in a bath and hope the thing works it's way out eventually.
I can hear the gods laughing at my swollen behind.